Ofong Iwuood

These sculpture series examine not only the history of bust sculptures but also take Africa as a departure point for considering what bust portrait could be. For this work, I draw from the iconic photographs of Nigerian photographer J.D. ‘Okhai Ojeikere who documented Nigerian women’s hairstyles from the 1960s. His images of unique hairstyles emerged in response to the proliferation of high-rise colonial architecture in Lagos during Africa’s modernization. Exploring the relationship between hair, architecture, and colonial history. The evidence of everyday repurposed materials incorporated into the sculptures such as lace fabric refers to a global trade and exchange in which Africa has been a participant.

1. Mma Afia Ided
2023
Fabric-cast face, Repurposed textiles, Metal rod, Resin, fabric, rope, wire, wool, mannequin part,
43”X18”X20”

2. Mma Ndandad Ided
2023
Fabric-cast face, Repurposed textiles, Metal rod, Resin, fabric, rope, wire, wool, mannequin part, found shower caddy, buttons, beads. Used combs, black soap, shea butter, used hair spray,
45”X15”X12”

3. Mma Blue Ided
2023
Fabric cast face, Repurposed textiles, Metal rod, Resin, fabric, rope, wire, wool, mannequin part, found metal, buttons, beads.
47”X15”X12”

4.Mma Green Ided
2023
Fabric-cast face, Repurposed textiles, Resin, fabric, rope, wire, wool, mannequin part, found metal, buttons, beads., rhinestones.
40”X15”X 15”